Another month, another special Africa issue. This one is by French weekly newspaper Courrier International (part of Le Monde group), edited by Isabelle Lauze and Ousmane Ndiaye. Many of the articles have appeared elsewhere but are published here for the first time in French. Features and profiles include those on Congolese photographer Kiripi Katembo, Angola’s “indignados”, Senegalese collective Y’en A Marre, Nigerian Nollywood, Ghanaian journo Anas Aremeyaw Anas, Ethiopian entrepreneur Bethlehem Tilahun Alemu, a very short introduction to Francophone Hip-Hop, etc. Full table of contents here. The cover photo is lifted from Omar Victor Diop’s 2012 series “The Studio of Vanities”. It’s not clear why they decided to focus only on Sub-Saharan Africa. That said, they’ve used excellent sources.
Humiliation and stigma are companions for women seeking assistance from courts to obtain maintenance in South Africa.
Despite the country’s marker as a “racial democracy,” racism and prejudice still persist in Brazil, often violently and with deadly consequences.
In the third installment on Afrobeat in South America, political scientist Simon A. Akindes writes about Newen Afrobeat from Chile’s capital.
Although he was a spokesperson for the Algerian National Liberation Front, Frantz Fanon’s ideas often came at odds with that movement’s political demands.
That reactionary politics today lack a mass character is what makes them so dangerous.
Amil Shivji’s latest film, ‘Vuta N’Kuvute,’ is a gift, not only to the people of Tanzania, Zanzibar and its diasporas, but to the world.
On the occasion of the release of ‘How to Write About Africa,’ a collection of early essays and short fiction by Binyavanga Wainaina, Achal Prabhala remembers his friend’s earlier beginnings and literary breakthroughs.
Ethnicity did not simply disappear in Kenya’s 2022 elections. Instead, it was a crucible where both sides mobilized historical claims and ideas to win supporters, in ways that could, at times, elude the eye.
NoViolet Bulawayo’s novel ‘Glory’ forcefully evokes the Zimbabwean political landscape but struggles to stretch itself beyond the documentarian, vacillating between the journalistic and fictive.
Jacques Bongoma was a young Congolese progressive who became a close advisor to Joseph Mobutu after the country’s 1965 coup.
Recent US-South Africa relations appear to be firmly stalled in the cul-de-sacs of imperial or sub-imperial diplomacy.
The author’s new book wants to clear away some of the misunderstandings that dog Africa and China relations. Here, he catalogs the books that guided him.
Communities whose land is being targeted for exploration by oil and gas companies are increasingly using the courts. South Africa points to good lessons for social movements about allying with the law.
The age of the podcasters as thought leaders—think #PodcastandChill and The Hustlers Corner—is upon us.
A scholar of Black Brazil discusses the past, present, and future of the antiracist movement, in the run up to this year’s presidential elections.
The books that the author, a Cameroonian novelist, has been reading share an ethics of political engagement, a quest for identity and cultural inventory, and an ear for the voices and harmonies of African languages.
In the second of four articles on Afrobeat music in South America, political scientist Simon Akindes writes about the all women and nonbinary Brazilian band, Funmilayo Afrobeat Orquestra.
Where can the left look to inspiration in the wake of defeat? Our first letter from our new deputy editor.
South African poet Don Mattera, who died in July, was the real deal—preferring to throw his lot in with the ignored and the undervalued. Unsurprisingly, his monumental life and work is undervalued too.
A new exhibit of Jean-Michel Basquiat’s life and work explores the influences of his family and the African world on his visual sensibilities and identity.