Here’s ten new videos to get your weekend started. Some pop, some rap, some indie, but first, some dance (what’s in a name). Above’s Black Coffee latest, feat. Nomsa Mazwai and Black Motion on “Traveller”. Next: Owiny Sigoma Band (that’s Joseph Nyamungo, Charles Okoko and friends in London) put out this festival-vibes video for “Nyiduonge Drums” (which, oddly, is not on the record they recently released):

Congolese “Hustler” (his word) Fally Ipupa is “Back”; these loosely choreographed videos never cease to amaze:

Nigerian trio Weray Ent’s second single “Masquerade” features Ghanaian group Vibe Squad. Important disclaimer in the opening lines; what follows is a feast of styles:

Dochi and Ali Kiba bring the weekly Bongo sounds on “Imani”:

With the arrival of their first EP, Bells Atlas released a video for “Lovin You Down” — recorded while the band was on tour recently (and spent time in Miami during the International art event Art Basel):

Rokia Traoré could have come up with a different title for her new record, but the songs that are on there are magnificent. Quite politically engaged lyrics too, like much of what’s coming out of Mali over the past year. Production: John Parish. This is a first single, “Mélancolie”, and video:

UK youth broadcaster SB.TV put up a live video of UK artist (and AIAC household name) Akala, performing his track “Lose Myself”, a collaboration with Josh Osho — a new web series to watch:

Playing in London tonight (and pretty much everywhere else in Europe later this month; they sent us a reminder earlier this week) are Cuban combo Alexander Abreu y Havana d’Primera. Don’t miss it if you like your salsa:

http://www.youtube.com/watch?v=j9NxNr1I1DU

And, finally, your moment of zen: this video for four-piece London band Woman’s Hour’s “To the End”, directed by South Africans Oliver Chanarin and Laurence Hamburger. Trampolinists are Siphiwe Mosoang and Xolani Nxumalo:

Woman Hour’s debut EP’s soon to be released on Parlour Records. Now watch that video again.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.