Flex Boogie, featured on this song by producer/radio deejay The Prince, is a Pretoria-based hip-hop artist who was part of the pioneering hip-hop group Ba4za at one point. He has undergone numerous changes since then – from an overhaul of his image, to recently appearing in a liquor advert on national television (Flex Boogie’s real name is Hakeem, and he’s Muslim). But he doesn’t rap this song. Instead, he provides fillers over sparse house beats, hollering “tsokotsa” (dance) every so often.

In the lead-up to her new album entitled “Ticket to the world”, German-Ghanaian vocalist Ayo collaborates with Congolese-French emcee Youssoupha for a bit of social commentary. “The city’s burning down/ but there’s no water” she sings before her rap/spoken word crusade. It must be pointed out that Youssoupha’s verse is very similar in structure to this song of his. (P.S.: Her facebook page is somewhat of a gem.)

“My new album is more involved. It takes you on a spiritual trip. It is about good and bad, about body and soul, and about finding the balance. It takes you out of your comfort zone and makes you feel part of the music” says vocalist Ntjam Rosie. This music is the perfect backdrop for the Southern Hemisphere’s transition into Spring.

A Professor song has become standard in any house club in South Africa. He ropes in kwaito artist Brickz for yet another club-friendly heater.

Lesotho’s Charles Alvin possesses an effortless flow which is expertly complemented by the music. The video, shot around the surrounds of Maseru by upcoming director Sehlabaka Rampeta, is not half-bad either.

Fredy Massamba was in South Africa in September last year. That is when him and Tumi (formerly of Tumi and the Volume) linked up to record this song.

Big FKN Gun enlist the help of Cuss Group co-conspirateur Ravi Govender to direct this stark look into the realities of a drug currently causing turf wars in Durban. The video features an appearance by artist Evl Jon, whose exhibition “Ward 56” opened this past week.

Johannesburg party rap comes to the fore on this club banger-assured collaboration between DJ Switch and Reason.

This Starz-produced collaboration between surefire Nigerian heavyweights follows hot on the heels of Shank’s victorious Music Video of the Year nod at the Nigeria Entertainment Awards. Expect beautifully haunting visuals courtesy of Patrick Elis.

And straight from Belgium to the world, the duo of Joy Adegoke and Wim Janssens (better known as Joy Wellboy) makes exquisite electronic funk for outstanding music connoisseurs and occasional listeners alike. We dig it!

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.