Memorializing all Kenya’s terror victims

"I want to go to a place ... where we can find the names of all those who have died for Kenya since 1963."--Binyavanga Wainaina.

Mkenya Flani (Via Twitter).

I want to go to a place. A piece of ground, also a place online, where we can find the names of all those who have died for Kenya since 1963. I want to know their names. I want to walk and walk listen and witness know the lives of those no longer visible to me, but whose blood mattered. I want the children I may once have to go there and visit and walk through our stories. I want all schools to go there.

We are not a nation if we can’t properly and fully memorialize each and every citizen we lose. I want to see the names ages and photographs of those who died in Mpeketoni. Those killed during PEV. Stories. Forgetting is not good. It is in these acts, our public commons reawaken. The politics of saying we are not ready to face ourselves, the fullness of our pain, is the same politics that allows us to ignore it when a Kenyan strips the institution they are given to run, strips it dry, dry, and returns like a zombie, a plastic rubber-band zombie in some new form, to govern somewhere else again.

Amy Ashcraft via Flickr CC.

I want a public again. I want some random church choir knocking on my door at easter to sing at my door. I want to see three million Nairobians flood the streets to cry, and sing, and hug because our children have been killed. I want to stop feeling that we live inside mostly the private. I want never to hear the word self-empowerment again.

I am the product of a nation that empowered me. I am a child of Municipal Council schools, I am a child of Kenya National Library Services, of Provincial General hospital, Nakuru. I want thousands of names inscribed permanently in Uhuru Park. I want each name to have a story. I want to see the names. I want to see the names. Stories. I want to see the names. Photographs. It is not enough to send MPESA to Red Cross. I want to be a citizen of a nation that is not just Electoristan.

My heart is dull with pain, and I feel the pull to cover it all with that hard, now familiar Kenyan cynicism and move on, which really means suck the very remaining soul of it dry.

Further Reading

Redrawing liberation

From Gaza to Africa, colonial cartography has turned land into property and people into populations to be managed. True liberation means dismantling this order, not redrawing its lines.

Who deserves the city?

Colonial urbanism cast African neighborhoods as chaotic, unplanned, and undesirable. In postcolonial Dar es Salaam, that legacy still shapes who builds, who belongs, and what the middle class fears the city becoming.

Djinns in Berlin

At the 13th Berlin Biennale, works from Zambia and beyond summon unseen forces to ask whether solidarity can withstand the gaze of surveillance.

Colonize then, deport now

Trump’s deportation regime revives a colonial blueprint first drafted by the American Colonization Society, when Black lives were exiled to Africa to safeguard a white republic.

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.