Weekend Music Break No.80

Ethiocolor's 360 degree interactive video.

Africa is a Country is now on Break for the weekend, so here is some Music we’ll be relaxing to over the next couple of days:

In this week’s selection: Stocktown directs a 360 degree interactive clip from the top of a roof in downtown Addis Ababa for the band Ethiocolor; An appeal for support, gives the world a sneak peak into the recording sessions of Colombian Salsa super-band Ondatropica’s new album; Fouma System brings electronic dance music to Dakar via the Akwaaba Music record label; Taking a peak at AIAC contributors Hipsters Don’t Dance’s site, revealed this wonderful London Alkaida-ish stomper from Kwamz, Flava and Mista Silva; We interviewed Uno July about his new EP last month, and this week he released a visual to “Skelem”, one of the songs off of that project; 99K and Wanlov release a controversial track and video called “Kasa”; Chosan, releases “Show Goes On’, a song and video that reads like a story of the life of the Freetown via London via New York via Baltimore rapper; Timaya dips his toes into Afrohouse with “Some More”; Becca and Ice Prince smooth things out with their own take on the genre; and finally, Uganada’s Radio and Weasal have been making noise in Cartagena, Colombia of all places. Perhaps their latest video “Juicy” and it’s Caribbean vibes will continue that success for them.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.