Weekend Music Break No.86 – The WOMEX (2015) Edition

Pierre Kwenders representing Congo via Montreal

The 15th edition of WOMEX, Europe’s premiere World Music trade show is happening next week in Budapest Hungary. As African music grows in popularity globally, it is events like WOMEX that serve as a first port of entry into the continent for many non-European artists; whether traditional, experimental, or pop. In light of this year’s headlines around European migration, the need for programs such as WOMEX that inherently celebrate the diversity of human experience, and thus a truer vision of contemporary Europe, has become all the more sharp. As for the interest of Africa is a Country specifically, this year’s showcases will host a series of artists with origins in the African continent. They will be putting their talents on display with the hopes of getting picked up by European record labels, touring agencies, and/or festival promoters. So, for this weekend’s music break, Africa is a Country is happy to team up with WOMEX to present all ten artists presenting at this year’s festival:

Blick Bassey brings us “One Love” from Cameroon, a Central African smooth jam with Cello, Trumpet, and Slide Guitar accompaniment, Moh Kuyate represents with Mandinka Rock from Guinea via France; The Sarabi Band from Kenya sings against political corruption in an uplifting Ndombolo-inflected pop tune; Pierre Kwenders gives us Congolese Soul-Rap via Montreal; Vaudou Game hits us with West African Funk from France, rooted in Togo and Benin; Aziza Brahim, a displaced person from Western Sahara currently living in Spain, sings for her land and people, while showing how African Flamenco really is; Senegalese Mbalakh innovator Cheikh Lo is receiving a lifetime achievement award at this year’s conference; Pat Thomas & The Kwashibu Area band revive classic Highlife for a new generation of audiences; Mamar Kassey from Niger a updates a repertoire descendant from the ancient Songhai empire, and is here performing it live in Amsterdam; and finally, Tarek Abdallah & Adel Shams El-Din perform Egyptian classical music on Oud and Riq, live in Montpellier, France.

Visit WOMEX’s website to see the full artist lineup, and read more on the artists featured above.

Further Reading

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.

After the coups

Without institutional foundations or credible partners, the Alliance of Sahel States risks becoming the latest failed experiment in regional integration.

Whose game is remembered?

The Women’s Africa Cup of Nations opens in Morocco amid growing calls to preserve the stories, players, and legacy of the women who built the game—before they’re lost to erasure and algorithm alike.