Africa Is a Country

Don’t kill yourself because of suffering

Africa Is a Country Podcast
African Five-a-Side Podcast

Don’t kill yourself because of suffering

By
Boima Tucker

Weekend Music Break, No.104 is just a playlist of ten great songs accompanied by predictably striking visuals from across Africa and its diaspora.

Malian singing legend Oumou Sangare performing in Essaouira, Morocco in June 2012.

Weekend Music Break is back to our regularly scheduled programming.  This week we start out with Malian legend Oumou Sangaré’s first release in seven years – and to top it off, she appears with Tony Allen in tow. The main message is about staying alive: “Don’t kill yourself because of suffering /  No-one should commit suicide because of pain / My brothers and sisters, we should not take our own lives /
because of suffering …”

Life on earth is not easy, but-no one should kill themselves

Then we head to Kenya where Muthoni channels a bit of (UK singer) MIA to call out corrupt politicians in her home country.

Up next, MHD and crew head from Paris to Manchester, and showing the Brits the French-African flavor their gonna miss out on as they start the EU exit process this week.

But London-based Mazi Chukz shows that the British-Africans can hold their own when it comes to stews.

Let’s head back to our continent now, alongside Wizkid who takes on a journey as he plays another packed live show somewhere on the continent.

Back home in Nigeria Lil’ Kesh makes an appeal for no fake love.

Cassper Nyovest does his best “I’m from Atlanta” impression with”Tito Mboweni.”

Let’s calm down from that a bit and head to Tidiane Thiam’s and Amadou Binta Konte in Senegal, and enjoy a more stripped down sound: one guitar, a hoddu and a microphone.

And let’s close out this week’s playlist with my current home of Brazil, and a who’s who of Afro-Brazilian rappers of many different stripes. Here they’re making an appeal for better and more and equal representation in their own country.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.