
Mining the Body
What can the photographs of American anthropologist Danny Hoffman tell us about Sierra Leone and Liberian mineworkers or about mining in West Africa?
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Fatima B. Derby is a Ghanaian feminist writer and queer activist.

What can the photographs of American anthropologist Danny Hoffman tell us about Sierra Leone and Liberian mineworkers or about mining in West Africa?

South Africa’s news media’s much vaunted editorial independence.

Not sure what is empowering about a UK grime artist explicitly glorifying African conflict and capitalizing on the fear and violence that it entails.

Two Nigerian-American brothers hope to bring a unique African cultural perspective to cartoons, comics and animation, where Africans are usually absent.

A large part of the challenge for Italians to get used to a black Cabinet Minister is the role Italian media plays. They’re particularly bad when it comes to race.

Watching the film “Tamani,” there’s no need to understand the local languages to get a taste of what Ouaga sounds like.


Blitz the Ambassador’s last major project was ‘Native Sun.’ Now he is taking the party on the road.

Who would guess that a little over a decade ago Africa was mostly described as “the hopeless continent”?

Nollywood, the world’s second largest film industry, produces over 2000 films annually, and now, seven of its best will be screened at France’s first ever NollywoodWeek Paris.

The ways in which Nelson Mandela’s image as a referent of South Africa’s recent past has been appropriated, signified and transformed into material form as commemoration.


After years of being frozen out by Bingu wa Mutharika’s administration, President Joyce Banda has restored the IMF to the top table of Malawian policy-making and pushed through a sweeping reforms at their behest.

VICE partners with old media, makes sponsored content, owns an ad agency, and cozies up to Murdoch—despite its edgy style and fresh take on news.

An interview with the American-Nigerian-Jamaican artist Temitayo Ogunbiyi.

An interview with the filmmaker Dehanza Rogers, about the film “Sweet, Sweet Country,” a fictional film capturing the harsh personal choices of Africans in Clarkson, a town in Georgia known for its large immigrant population.