The new journalism model

VICE partners with old media, makes sponsored content, owns an ad agency, and cozies up to Murdoch—despite its edgy style and fresh take on news.

Still from promo for Vice on HBO.

Al Jazeera English recently contacted me about a 60-second comment for  a feature they ran on VICE on the channel’s media program, “The Listening Post.” Start watching the Listening Post feature at 13:52. My short comment was for “Global Village Voices,” a regular, short segment on “Listening Voices” that are usually included at the end of the program.  Below, I copied a very condensed cut of my comment to fit into the program’s format – nothing malicious:

The business of journalism as we know it is in trouble and there’s a scramble for a “new journalism model,” with VICE.com held up as the latest prototype (see here, here and here). I am not so sure VICE is the new journalism. Its partnership with “old media” (CNN, HBO) is old-fashioned; it mainly produces sponsored content (nothing new there), owns an advertising agency, and makes nice with Rupert Murdoch. Of course, VICE’s style represents something fresh. With its diversity of topics and irreverence, it is a vast improvement on the talking heads of cable news. But, there is also much to dislike about VICE.

Vice reporter,Kaj Larsen, on the trail of Boko Haram (Youtube screen grab).

There’s its cheap headlines, sensationalism, vulgarity, misogyny, the way it ridicules mostly non-Western people, and its very white, male, Anglo-American look.

On balance, VICE’s Africa coverage is more bad than good, even when they try not to—whether they cover cyber-fraud in Ghana, embark on “Guides” to Liberia and the Democratic Republic of Congo that resemble “Heart of Darkness” or exaggerate alcohol abuse in Uganda.

Basically, they’re just another ambitious media company (Shane Smith, one of the founders, refers to VICE as “the Time Warner of the Streets”) interested in market share, synergy, and branding. So, yes, they may be introducing a whole lot of young people to international affairs, but in the process, they also work very hard to undermine their own credibility.

 

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.