The new journalism model

VICE partners with old media, makes sponsored content, owns an ad agency, and cozies up to Murdoch—despite its edgy style and fresh take on news.

Still from promo for Vice on HBO.

Al Jazeera English recently contacted me about a 60-second comment for  a feature they ran on VICE on the channel’s media program, “The Listening Post.” Start watching the Listening Post feature at 13:52. My short comment was for “Global Village Voices,” a regular, short segment on “Listening Voices” that are usually included at the end of the program.  Below, I copied a very condensed cut of my comment to fit into the program’s format – nothing malicious:

The business of journalism as we know it is in trouble and there’s a scramble for a “new journalism model,” with VICE.com held up as the latest prototype (see here, here and here). I am not so sure VICE is the new journalism. Its partnership with “old media” (CNN, HBO) is old-fashioned; it mainly produces sponsored content (nothing new there), owns an advertising agency, and makes nice with Rupert Murdoch. Of course, VICE’s style represents something fresh. With its diversity of topics and irreverence, it is a vast improvement on the talking heads of cable news. But, there is also much to dislike about VICE.

Vice reporter,Kaj Larsen, on the trail of Boko Haram (Youtube screen grab).

There’s its cheap headlines, sensationalism, vulgarity, misogyny, the way it ridicules mostly non-Western people, and its very white, male, Anglo-American look.

On balance, VICE’s Africa coverage is more bad than good, even when they try not to—whether they cover cyber-fraud in Ghana, embark on “Guides” to Liberia and the Democratic Republic of Congo that resemble “Heart of Darkness” or exaggerate alcohol abuse in Uganda.

Basically, they’re just another ambitious media company (Shane Smith, one of the founders, refers to VICE as “the Time Warner of the Streets”) interested in market share, synergy, and branding. So, yes, they may be introducing a whole lot of young people to international affairs, but in the process, they also work very hard to undermine their own credibility.

 

Further Reading

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.

The sound of revolt

On his third album, Afro-Portuguese artist Scúru Fitchádu fuses ancestral wisdom with urban revolt, turning memory and militancy into a soundtrack for resistance.

O som da revolta

No seu terceiro álbum, o artista afro-português Scúru Fitchádu funde a sabedoria ancestral com a revolta urbana, transformando memória e militância em uma trilha sonora para a resistência.