
I Sing the Desert Electric
A short film of electronic based music across the Sahel region: Mauritania to Northern Nigeria and in-between.
6434 Article(s) by:
Paul Milchik is a pseudonym for the author of this piece. His name has been changed due to his status as an international student in the US during the second Trump administration, in a context where foreign students have been targeted for detention and deportation as a result of expressing pro-Palestinian views.

A short film of electronic based music across the Sahel region: Mauritania to Northern Nigeria and in-between.

Apart from a heavy Senegalese presence, this Music Break, No.37, includes some other favorites of this site: Petite Noire, Laura Mvula, Rachid Taha and newcomer, Napoleon Da Legend.


A conversation with South African artist Masello Motana on pop stars, politicians and personhood.

The trouble with the official Dutch commemoration of the abolition of slavery. It leaves out the descendants of victims altogether.

An interview with Soraya Morayef, who is documenting the graffiti scene in Cairo, Beirut, Libya and Palestine.

Also, dispelling the myth that all Arab men systematically oppress and victimize Arab women.

What The New York Times forgot to tell you about the explosion of digital music in Africa.


Why is a photo of an empathetic group of young Dutch Moroccans visiting a concentration camp being used to illustrate so many stories in which Moroccans are a “problem”?

To my ear Achebe’s voice is always measured even at its most defiant.

Comparisons between Chinua Achebe and Nigeria’s other great writer, Wole Soyinka, will increase, now Achebe has passed.

France’s intervention never offered a real solution to any of Mali’s problems, but created a set of problems to the ones this country would otherwise have faced.
