
Big Weekend for Jason Russell
There is nothing heroic about running a cushy, big-spending non-profit like Invisible Children that works hand-in-glove with the CIA and the US military.
There is nothing heroic about running a cushy, big-spending non-profit like Invisible Children that works hand-in-glove with the CIA and the US military.
Pretty much all of this week’s artist are regular guests on the blog. First up: Pitcho.
The latest in a series of interviews by Roxsanne Dyssel. This time, with Egyptian photographer and blogger, Mohamed Elshahed.
it’s underwhelming that despite its rich musical tradition, Angolan music is mostly known for a genre that roughly translates to "hard ass."
Zina Saro Wiwa wants Nigerian film to break out of its Nollywood straightjacket. She is trying it with her film, "Phyllis."
A post that takes a warm, nostalgic trip through an aspect of West Africa's rich musical heritage: Nigerian highlife.
One of my current favorite bands–haven’t seen them play live yet; they’re out West–is Bell Atlas.
Filmmakers who use digital technology hope FESPACO catches up to the times. Meanwhile, this year the festival attempts to right its gender imbalances.
A film about four African artists in Toronto, challenges stereotypes about Africans in Canada's media capital.
Andrew Dosunmu's new feature film, "Mother of George," is set in Brooklyn, NY’s Bed-Stuy neighborhood, focusing on the complications of African immigrant life, especially love and family.
Let’s start with two club tracks. It’s Friday after all. Above is a collaboration between Boddhi
No.17 in our regular update on new African films to watch.
Post by Addis Rumble * “Ethiopia is an island,” Vincent Moon explains. The French filmmaker has
A harp hard-panned to either side of the speakers constantly loops while a flute sample pulsates
We've seen CNN's "Mozambique or Bust" documentary film before. It's a staple of its genre.
In our series of interviews with young artists and creatives continue: This week's guest: photographer and blogger, Nana Kofi Acquah.
Moses Molelekwa, the brilliant South African pianist, composer and producer died by suicide on 13 February 2001. Florence Mtoba, his wife (also his manager) was found with him; she had been strangled.
The Lagos elite blows money at puffery, while most of Nigeria suffers. It’s the same as it ever was.
This weekend marks the 2nd year of the Cape Town Electronic Music Festival, an event that
The politics of selling African art mostly collected during colonial era to private collectors.