
Kuduro’s International Wave
If Os Kuduristas is problematic, there’s no one to blame for its existence but perhaps us, the international community and the media.
If Os Kuduristas is problematic, there’s no one to blame for its existence but perhaps us, the international community and the media.
Here’s a resolution for the new year: to feature more Togolese pop. If you don’t know
How anonymous parties define, construct, and support uprisings in Africa via social media.
How the humanitarian movement grew in close relation to the democratization of moving image technologies.
In South Africa, repackaging dated colonial fears about race and sex are used to sell beer and to win an advertising award for being "different."
Kuduru as an effort by politically connected Angolan elites to to package a fun and edgy dance born in Angola as soft power.
An interview with Nigerian-American artist, Toyin Odutola.
Kuduro pioneer Sebem (fresh out of prison; he was in for repeated traffic violations, from what
The author, also a photographer, on documenting South Africa's "train churches."
The Professor is a fiction film by Tunisian director Mahmoud Ben Mahmoud. Synopsis: Tunis 1977. Khalsawi
Vice Magazine recently ran an interview with Al Walser, the DJ who nabbed a Grammy nomination for
Kicking off with an introduction from Nobel Laureate Wole Soyinka, the short documentary Fuelling Poverty amounts
A black photographer who moved to South Africa from the US, explores the transcontinental dialogue between black middle class people the world over.
Results of today’s parliamentary and presidential elections in Ghana are expected at the earliest by Sunday.
Sbujwa is a South African dance described as a dance that requires every muscle in your body to work in order to complete the moves.
Documentary filmmakers are better at spreading the word about their new work on the web compared
The online retrospective, “Literary Sudans," is intended to highlight the two Sudans as sites of literature and culture.
An interview with Abdellah Karroum is the artistic director of the Biennale Regard Benin 2012, which premise is “Inventing the World: the Artist as Citizen.”
In Africa “biennials are a difficult idea, conceptually as well as financially, to implement and sustain,”
It might not be Dakar or Nairobi, but Gaborone certainly does not look empty.