Music Video Premiere: DJ Mellow and Steloo’s “Séké”

Africa is a Country is pleased to premiere the music video for “Séké” by DJ Mellow and Steloo:

The song, whose title means “crazy” in Ga, is part of Brussels-based DJ Mellow’s A Slice of Bass EP. The collaboration between him and Accra’s Steloo came about via Max Le Daron, who I mentioned Monday was one of the participants in Akwaaba Music’s Roots of Azonto project. As Max describes, the track came about:

When I was in Ghana for the Roots of Azonto I met Steloo, who was willing to MC on my tunes. We did a few try outs then I put one draft of DJ Mellow’s tune in the studio and Steloo insisted to record on it. It clicked and Mellow finished the tune in Brussels, using samples from the Roots Of Azonto Soundbank… Et voilà!

And thus we have another great example of Azonto’s persistent impact on international dance music. However, the catchy beat, and striking production don’t really remind me of Azonto per se. To me, the beat harkens back to around 2008, the hey day of U.K. Funky, a sound that I believe was integral to the formation of Azonto, and the current wave of Afropop all over West Africa. I hear it blending perfectly with the early sounds of producers like Roska, Crazy Cousins, or Donaeo, themselves influenced by the West African and Caribbean rhythms of their parents’ homelands. Take into consideration contemporary U.K. Funky oriented and Ghana inspired producers such as The Busy Twist, and it seems like feedback loop just keeps getting louder.

*The video was shot in Accra by Ghanaian photography artist Amfo Connolly, then edited in Brussels by Pierrot Delor from La Lune Urbaine collective. This post is part of our Liner Notes series, where musicians talk about making music.

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.