Weekend Music Break No.90

A traditional Parang group from Trinidad

To wrap things up for 2015, next week Africa is a Country will have a few best of lists and long form posts for you to ponder into the New Year (as we take our annual December break). But for now let’s have a briefer interlude with our weekly music break, the last one for this year.

Our selection of tunes this week is honestly a bit of a (holiday work party?) grab bag, but at Africa is a Country we only deal in quality. You won’t be disappointed.

Kicking things off we have Badi and Youssoupha’s ode to the Congo of many names, peoples, and political geographies, so appropriately they just use the telephone country code 243 to signify exactly where and what they mean; To follow up we have the grandmaster of Ndombolo style of the rumba-soukous-decale axis, Kofi Olomide, who proves he can be relevant in the social media age with “Selfie”; Mr. Jayvic brings us uptempo dance vibes from Ghana; and then, Yungsal brings us nice Ghana-inspired downtempo vibes from Sierra Leone; Philadelphia, USA’s Doelife turns up for their squad with “Moment”; and then as promised in a previous music break, we said when the clip arrives we’d once again share Scotland’s Young Fathers’ “Old Rock N Roll”, live from Malawi; Boyzn Bucks members Cassper Nyovest and Riky Rick turn in a dark Cape Town tale with “Le Mpitse”; Afro Lisboa’s Black Sea Não Maya crew releases one of the few videos coming out of that scene, hopefully many more to come; And finally, we take a holiday pan-African turn to the Caribbean with some Trinidadian-Venezuelan Parang-Soca and Puerto Rican Parranda-Salsa vibes. Happy holidays, and see you at the next music break in 2016!

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.