
Searching for Redemption
In “Searching for Sugar Man,” Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.
6393 Article(s) by:
Marjorie Namara Rugunda is a writer, researcher, and PhD student at the University of British Columbia.

In “Searching for Sugar Man,” Rodriguez the man feels more like an awkward prop in a story of white redemption rather than the star of his own movie.


How does it feel to be an African asylum seeker in Europe.

Vice.com’s reductive and alarmist style of writing about the continent is not only outdated, but deplorable and contravenes responsible journalism.

We ought to ask questions about Angola’s Sovereign Wealth Fund. But also about the history of Chevron, Exxon, and Conoco in the country.

Reporting ahead of Kenya’s election by the international media can basically be placed in two general categories: optimism and, of course, no surprise, pessimism.

There is nothing heroic about running a cushy, big-spending non-profit like Invisible Children that works hand-in-glove with the CIA and the US military.

When it comes to South Africa, US media publishes articles that may have been written already before an event even happened.

The latest in a series of interviews by Roxsanne Dyssel. This time, with Egyptian photographer and blogger, Mohamed Elshahed.

it’s underwhelming that despite its rich musical tradition, Angolan music is mostly known for a genre that roughly translates to “hard ass.”

Zina Saro Wiwa wants Nigerian film to break out of its Nollywood straightjacket. She is trying it with her film, “Phyllis.”

A post that takes a warm, nostalgic trip through an aspect of West Africa’s rich musical heritage: Nigerian highlife.


The enduring controversies around Egyptian-American activist Mona Eltahawy.

Filmmakers who use digital technology hope FESPACO catches up to the times. Meanwhile, this year the festival attempts to right its gender imbalances.

A film about four African artists in Toronto, challenges stereotypes about Africans in Canada’s media capital.