
The civilizing mission of the white man
The recent controversy around Günter Grass’s criticisms of Germany's arms trade with Israel is an interesting post-script to the Namibian genocide controversy.

The recent controversy around Günter Grass’s criticisms of Germany's arms trade with Israel is an interesting post-script to the Namibian genocide controversy.

The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.

In which category would the South African photographer Pieter Hugo place himself? What do they stand for or what his photographs can and cannot tell.


Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves a wide audience.


Historian Greg Mann is not a big fan of Tuareg group, Tinariwen. The music is alright, he agrees, but the politics is rancid.

The city's past and its predilections render neat formulations like Creole city and European city equally hollow.

This is Number 11 in my occasional series of posts highlighting the music of my hometown, Paris, also a center of Europe's African diaspora.

The popular Kudurista, Titica, is one of the the top stars of this growing Angolan dance music form.

One of our readers took our title literally.

Putting postcolonial Angola and postindustrial New York in visual touch.

They're making a film about "a love story set in Cape Town South Africa that chronicles the life of Leila, a young Cape Malay girl who falls in love with an American boy, Derek, who happens to be black."

In 1969, Gadalla Gubara and his friends, Ousmane Sembene, Timité Bassori and Mustapha Alassane came up with an idea: FESPACO.