An unusual sensitivity
One of the striking facts of Nabil Ayouch's film is that Israelis love the land and the Palestinians love it too.
Culture
The ‘Swedish Cake’ artist explains himself
Makode Linde calls his approach Afromantics: it use the blackface to show the connection between stereotypes, part of the same system of oppression.
Parisian Africa
Younger generations of artists, many immigrants of African origin, are reconfiguring the arts in France on their own terms.
Soviet cinema and African filmmaking
Abderrahmane Sissako’s oblique suggestion of what a ‘socialist friendship’ might be in his first film, "October" (1993) set in a then-declining Soviet Union.
The impotence of the political bourgeoisie
Ousmane Sembene's "Xala" (1974) is a powerful political narrative. At times edging toward the surreal, at others an acute depiction of the complexity of the freshly independent Senegal.
The Swedish Golliwog Cake
It’s a brilliant staging of structural racism and post-colonial existence by the artist Makode Linde.
The Swarm of Insects Destroying the City
Interview with South African writer Henrietta Rose-Innes's about her novel, "Nineveh."
The civilizing mission of the white man
The recent controversy around Günter Grass’s criticisms of Germany's arms trade with Israel is an interesting post-script to the Namibian genocide controversy.
Exploring rootlessness and confusion
The director, Frances Bodomo, originally from Ghana, talks about her film "Boneshaker" and African globalization.
The elderly, the blind and people with albinism
In which category would the South African photographer Pieter Hugo place himself? What do they stand for or what his photographs can and cannot tell.
The best sports films have no play in them
Tunde Kelani's "Maami," a tale about a former professional footballer, is bold and stylish film-making, and it deserves a wide audience.
