On a recent trip to London I was hoping to catch a performance by Cape Town drummer Louis Moholo Moholo, the last surviving member of the famed jazz bands, The Blue Notes and The Brotherhood of Breath. Especially with the release of “Before the Wind Changes,” a live recording of The Blue Notes on tour in Belgium in 1979. For the uninitiated, The Blue Notes, along with Abdullah Ibrahim and Hugh Masekela, defined South African jazz internationally for much of the period between 1960 and 1980. The band consisted of Chris McGregor on piano, Moholo-Moholo, Dudu Pukwana on alto sax and Johnny Dyani on bass. They left South Africa in the early 1960s after being invited to a jazz festival in France and subsequently became key players in Britain’s jazz scene.

Meanwhile, while I am trying to get my hands on “Before the Wind Changes,” I’ll substitute with Youtube videos, like the 5-minute video just below. It is footage of Moholo-Moholo (close to the camera on the right) and his quintet playing in London last year.

Then right below is another video — 9 minutes long — filmed at a festival in London in 2010. Moholo (at the back on the left) with Ishmael Wadada Leo Smith and Steve Noble:

Finally, there’s this interview filmed at the 2011 Pan African Space Station music festival in Cape Town with musician and composer, Neo Muyanga:

Further Reading

Kenya’s vibe shift

From aesthetic cool to political confusion, a new generation in Kenya is navigating broken promises, borrowed styles, and the blurred lines between irony and ideology.

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.