I have this track (and video) on repeat. The Sway Machinery featuring Malian singer Khaira Arby, “Gawad Teriamou.” The video was filmed in and around the Malian capital Bamako, “… while the Sway Machinery was recording their [new] album [“The House of Friendly Ghosts, Vol. 1;” out February 8] with masters of African music including Khaira Arby, Vieux Farka Toure, Djelimady Tounkara and Super 11.”

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.