Weekend Music Break No.105 – Songs from banned countries: Somalia edition

Chino'o from Malitia MaliMob

For this weekend’s music break, we’ll have a second edition of “Songs from banned countries.” This time we go to Somalia via Seattle — which is a fitting connection because the judge who ordered Trump’s country ban illegal is based in Seattle. So, in the spirit of The United States Court of Appeals for the Ninth Circuit’s opposition to Trump’s xenophobic policy, we are proud to present Malitia MaliMob and their selection for “Songs from banned countries: Somalia edition.”

On this edition of “Songs from banned countries,” we decided to give you the ins & outs of Somali music, culture and lifestyle. We, Malitia MaliMob, are Somali-Americans who fled a civil war, and came to Seattle where we became a product of our environment. The selection of songs we have chosen intertwine both cultures — something that might be seen as taboo by some in our community — however, even though we are now Americans, it is important for us to maintain the culture of the land where we were born.

This past month, the administration of President Donald Trump decided that Somali people should not be allowed to enter the United States. In contrast to this regression, back home in Somalia our people have answered with progress. That is because this past Wednesday, February 8th, we elected our new President Mohamed Farmaajo. For the first time in nearly 30 years, Somali people have realized that we need each other more than ever, and that we have to work together for a better future for Somalia.

In our selection of songs and videos, we included clips that show traditional music, as well as the rebuilding of infrastructure in Somalia. We want to show the beauty in our culture & what we have to offer the world. We want to show that contrary to what many people outside of Somalia perceive, our country is full of life.

Somali National Anthem (somali museum)

Malitia Malimob – “Perception”

Somali infrastructure

Malitia Malimob – “Physical World”

DIRGAAX – “JIGJIGA Dhaanto”

Malitia Malimob – “Wake up call”

illkacase- “Isqabooji”

K’naan – “Soobax”

Malitia Malimob – “Mayflower”

Malitia Malimob – “I am James Foley”

Further Reading

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After the uprising

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In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.