It was Core Wreckah who first put us on to Lesotho rapper Kommanda Obbs a while ago. Asked for some background about this video, Kommanda tells us that “Ts’epe was shot in the mountainous villages of Bela Bela and Maputsoe in Lesotho. The aim of the song is to instil confidence in youth so that they embrace their cultures while learning about other cultures. The video introduces the album, the movement and the official Sesotho version of hip-hop. ‘Ts’epe’, which could be translated literally as ‘iron’, is used figuratively in this context as hard-hitting lyricism. The radio dj’s in Lesotho and certain parts of South Africa are really supportive. The video is currently playing on Lesotho TV.” We can see why.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.