AfricaIs aCountry

'Emerging' Photographers

Africa Is a Country Podcast
African Five-a-Side Podcast

'Emerging' Photographers

By
Tom Devriendt

Paris Photo will celebrate its 15th anniversary at the Grand Palais this year. With a “Place of honour for Africa (…) From Bamako to Cape Town.”  This focus on Africa follows focuses on “Germany, the Netherlands, Mexico, Switzerland, Spain, the Nordic Countries, Italy, Japan, the Middle East and central Europe.”

Les Rencontres de Bamako exhibits the work of Abdoulaye Barry (Chad), Mohamed Camara (that’s a photo from his Souvenirs series above), Fatoumata Diabate (Mali), Husain and Hasan Essop and Zanele Muholi (South Africa), Uche Okpa-Iroha (Nigeria), Jehad Nga (Kenya/Libya), Nyani Quarmyne (Ghana), Arturo Bibang (Equatorial Guinea), Baudouin Mouanda (Congo-Brazzaville), Nyaba Ouedraogo and Nestor Da (Burkina Faso). Because there’s only so many African photographers to choose from these days all of them seemingly caught in a perpetual state of “emergence” –even if they’ve been around for years.

Les Rencontres de Bamako runs from 1 November 2011 to 1 January 2012.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.