Artist Simen Johan  photographs a variety of plants and animals in natural preserves, zoos, farms, museum dioramas or his own studio,then “resituates them digitally into new environments constructed from images photographed elsewhere.”  The new work, Until the Kingdom Comes, is on display from November 3 to December 23 at the Yossi Millo Gallery in Manhattan.

For Johan, the images, ” … depict an unsettling natural world hovering between reality, fantasy and nightmare. Johan merges traditional photographic and sculptural techniques with digital methods.”

While some photographs in the series reference Biblical motifs, Johan says that his choice of title, Until the Kingdom Comes, “refers less to religious or natural kingdoms and more to the human fantasy that one day, in some way, life will come to a blissful resolution. …In a reality where understanding is not finite and in all probability never will be, I depict ‘living’ as an emotion-fueled experience, engulfed in uncertainty, desire and illusion.”

Further Reading

On Safari

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The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.