This week Nigeria–yes the country whose history Rick Ross mangled in his latest music video (Ross should have taken lessons from Chinua Achebe)–turned 52 to this week. Here, the “First Lady of Mavin Records,” Tiwa Savage sings the national anthem of Nigeria on a Nigerian TV show:

London-based Nigerians Afrikan Boy (he used to collaborate with M.I.A.) and Dotstar try their hand at the azonto craze:

And your obligatory dose of Nigerian pop:

Brussels-based rapper Pitcho (his family is from Congo):

Oddisee (born Amir Mohamed el Khalifa)–father Sudanese; mother African-American–channels Bon Iver:

Either Fokn Bois is still on their mission to get Ghanaians (and the world) to be less serious about religion (remember their “Gospel Porn” album) or they just want attention:

Anything we missed?

Further Reading

Slow death by food

Illegal gold mining is poisoning Ghana’s soil and rivers, seeping into its crops and seafood, and turning the national food system into a long-term public health crisis.

A sick health system

The suspension of three doctors following the death of Chimamanda Ngozi Adichie’s son has renewed scrutiny of a health-care system plagued by impunity, underfunding, and a mass exodus of medical professionals.

Afrobeats after Fela

Wizkid’s dispute with Seun Kuti and the release of his latest EP with Asake highlight the widening gap between Afrobeats’ commercial triumph and Fela Kuti’s political inheritance

Progress is exhausting

Pedro Pinho’s latest film follows a Portuguese engineer in Guinea-Bissau, exposing how empire survives through bureaucracy, intimacy, and the language of “development.”

The rubble of empire

Built by Italian Fascists in 1928, Mogadishu Cathedral was meant to symbolize “peaceful conquest.” Today its ruins force Somalis to confront the uneasy afterlife of colonial power and religious authority.