Fresh Eyes: KB Mpofu’s moments of intimacy

We head to Zimbabwe for the continuation of our Fresh Eyes series. Based in Bulawayo, KB Mpofu is a self-taught photographer who shoots portraits, fashion editorials and NGO work.

With portraits in particular, the camera itself has a presence which heightens the intensity of the interplay between photographer and photographed. This is a delicate relationship to manage and it can manifest in myriad ways, not all of them pleasant. When viewing Mpofu’s work, the emotional nature of his photographic process reveals itself in the expressions of his subjects. Whether capturing moments of introspection or the everyday, Mpofu elicits a prevailing intimacy from the people he photographs. He memorializes his subjects in bouts of meditative calm as the light lays upon them.

In his own words:

My choice of subjects mostly comes from an instinctive place, resulting in some candid moments. I always back my instincts to see spontaneous photo opportunities around me. I am fascinated by the contrast between light and darkness and how it can be used to create a sense of anonymity. Lately I have been drawn into portraiture work that captures mood through light and composition.

Bulawayo, 2014

Light and Lines

Keo-+-Nozukp-shoots-031

Long day, Bulawayo 2014

Lobengula Street, Bulawayo 2014

Portraits-4

Tina, Johannesburg 2013

For more of KB Mpofu’s work visit http://kbmpofu.com/

 

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.