[youtube=http://www.youtube.com/watch?v=tYrSn3pL8Ws&w=500&h=307&rel=0]

It’s hard to describe the vibe here. Yes, there’s the unreasonable expectations around the team (captured well by my man Tony Karon on Time magazine’s World Cup blog) and the vuvuzelas may be annoying. But yes you can feel it. It is the World Cup. And away from the big stadiums and the tourist districts and downtowns–I spent some time today in central Cape Town with my 4 year old and shouting out Chilean and Algerian fans–there is a lot of spirit (gees, the Afrikaans word for spirit, is the preferred term here) as this short video by The Fader show. The magazine has some deal with Nike to produce an online documentary series on “… the music, art and culture of South Africa in 2010.” Blk Jks and some local groups are thrown in for good effect.

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Sean Jacobs

Further Reading

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.