For a while now I’ve been wanting to post some of the images by celebrated architect David Adjaye‘s to “… photograph and document key cities in Africa as part of an ongoing project to study new patterns of urbanism.”  It is also part of Adjaye’s “… personal quest … to address the scant knowledge of the built environment of the African continent.” The pictures were displayed at London’s Design Museum till earlier this month as a series of large projections against a backdrop of African beats composed by Adjaye’s brother for the exhibit. David Adjaye visited 46 cities and took 36,000 pictures. Only 3,000 pictures were displayed in the gallery. Some of it gives the impression of holiday snapshots, while others have more to them, like the one above taken in downtown Abidjan, Cote d’Ivoire, a city once referred to as the “Paris of West Africa.”  Here‘s a link to a mainstream review. Anybody went to see it? Would love to hear your reactions of seeing the photographs in the exhibition. The pics here are only a small sample.

(BTW, Adjaye has been commissioned to design the new Smithsonian National Museum of African History and Culture planned on the Mall in Washington D.C.).

Asmara, Eritrea

Cairo, Egypt

Gaborone, Botswana

Dakar, Senegal

Nouakchott, Mauritania

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.

Energy for whom?

Behind the fanfare of the Africa Climate Summit, the East African Crude Oil Pipeline shows how neocolonial extraction still drives Africa’s energy future.