Last month, Mali’s trio SMOD (consisting of DJ Sam, Ousco and Donski) released a second single, Les Dirigeants Africains, taken from their new self-titled album. Sure, producer Manu Chao’s stamp is all over it, but SMOD’s lyrics and director Chris Macari* make up for that. And if you think DJ Sam looks a bit like Amadou or Mariam, you might very well be onto something…

* If you’ve never heard of Chris Macari, then his 2003 short movie The Letter is a good place to start.

Further Reading

An unfinished project

Christian theology was appropriated to play an integral role in the justifying apartheid’s racist ideology. Black theologians resisted through a theology of the oppressed.

Writing while black

The film adaptation of Percival Everett’s novel ‘Erasure’ leaves little room to explore Black middle-class complicity in commodifying the traumas of Black working-class lives.

The Mogadishu analogy

In Gaza and Haiti, the specter of another Mogadishu is being raised to alert on-lookers and policymakers of unfolding tragedies. But we have to be careful when making comparisons.

Kwame Nkrumah today

New documents looking at British and American involvement in overthrowing Kwame Nkrumah give us pause to reflect on his legacy, and its resonances today.