October is Black History Month

A group of British hip-hop and grime artists are determined to wrench back Black History Month there and in the US from the cynics.

Mandela statue at Southbank Centre in London. Image credit Paul Simpson via Flickr.

What started in the United States in 1926 as “Negro History Week” to promote awareness of African-American history to the U.S. public in 1976 morphed into “Black History Month,” and some people will still celebrate it there – and in Canada – during February. The UK does so during October. Be that on a slightly smaller budget courtesy of London’s lord mayor Boris Johnson. As The Guardian reported last February, “[f]igures seen by the Guardian show that the London mayor cut funding for Black History Month, a series of events staged in October to celebrate black culture in the capital, from £132,000 to £10,000, though city hall insists the previous figure was £76,000. Africa Day’s £100,000 grant from the London Development Agency was axed completely.”

Nevertheless, I can’t remember coming across similar events on this side of the Channel.

Some criticize it for being turned into a commercial sham like critics do in the United States or for being silent on black history’s symbiotic relationship with white history. Still, the group of English hip-hop and grime artists in the video at the link at the end seems determined to wrench it back from the cynics, paying tribute along the way to Maurice Bishop (remember him), Rosa Parks, Patrice Lumumba, Steve Biko, Emmett Till, Shaka Zulu, Malcolm X, Benjamin Banneker, Nat Turner, Mamadou Diallo, Marcus Garvey, Harriet Tubman, Khalid Abdul Muhammad and others. Watch till the end.

It may all sound like Afrika Bambataa, early Public Enemy, and Native Tongues, but they’re keeping it topical: “Our truths they hid it well. If we knew ourselves, would so many sit in a cell? When Europe influences African affairs that Africa has in Europe, we can talk about a world that’s fair.”

This is Black History.

Further Reading

On Safari

On our annual publishing break, Gaza’s genocide continues to unfold in real time yet slips from public grasp. This is not just a crisis of politics, but of how reality is mediated—and why we must build spaces where meaning can still take root.

The battle over the frame

As Hollywood recycles pro-war propaganda for Gen Z, Youssef Chahine’s ‘Djamila, the Algerian’ reminds us that anti-colonial cinema once turned imperial film language against its makers—and still can.

Fictions of freedom

K. Sello Duiker’s ‘The Quiet Violence of Dreams’ still haunts Cape Town, a city whose beauty masks its brutal exclusions. Two decades later, in the shadow of Amazon’s new development, its truths are more urgent than ever.

When things fall apart

Against a backdrop of global collapse, one exhibition used Chinua Achebe’s classic to hold space for voices from the Global South—and asked who gets to imagine the future.

The General sleeps

As former Nigerian president Muhammadu Buhari’s death is mourned with official reverence, a generation remembers the eight years that drove them out.

The grift tank

In Washington’s think tank ecosystem, Africa is treated as a low-stakes arena where performance substitutes for knowledge. The result: unqualified actors shaping policy on behalf of militarists, lobbyists, and frauds.

Kagame’s hidden war

Rwanda’s military deployments in Mozambique and its shadowy ties to M23 rebels in eastern Congo are not isolated interventions, rather part of a broader geopolitical strategy to expand its regional influence.