A quick survey of Western media suggests Tuareg nationalist claims don’t carry the same weight as Malian, Nigerian or Algerian claims on Tuareg territory. For example, the current violence in Niger and Mali are covered as either a humanitarian crisis (sympathy for Tuareg refugees), Gaddafi’s legacy (rumored weapons support for the rebels from his fallen regime) or through the prism of the War on Terror (armed Tuareg groups get conflated with Al Qaeda in the Maghreb). Meanwhile, if you’re still wondering about who the Tuareg is, you have sort of been already introduced to them via the music of Tinariwen, who are unashamed about their nationalist politics. In a recent interview, Tinariwen’s Alhousseini Ag Abdoullahi says:

[W]e are military artists! In 1992, we saw that we would be much more useful to the cause by spreading our culture around the world. Today, if we see that our brothers need us armed rather than as musicians, we will go to the front line because we are always ready to answer the call of the preservation of our land, our values and our culture. This is what we do through music and we will do it again with weapons!

Most recently, Tinariwen won a Grammy for Best World Music Album and collaborrated with TV on the Radio. And when you — if you live in the US — were blinking they were discussing their time in Gaddafi’s training camps on Colbert Nation.

* For those in or traveling to New York City: They’re performing around here on April 12th.

Further Reading

Africa and the AI race

At summits and in speeches, African leaders promise to harness AI for development. But without investment in power, connectivity, and people, the continent risks replaying old failures in new code.

After the uprising

Years into Cameroon’s Anglophone conflict, the rebellion faces internal fractures, waning support, and military pressure—raising the question of what future, if any, lies ahead for Ambazonian aspirations.

In search of Saadia

Who was Saadia, and why has she been forgotten? A search for one woman’s story opens up bigger questions about race, migration, belonging, and the gaps history leaves behind.

Binti, revisited

More than two decades after its release, Lady Jaydee’s debut album still resonates—offering a window into Tanzanian pop, gender politics, and the sound of a generation coming into its own.

The bones beneath our feet

A powerful new documentary follows Evelyn Wanjugu Kimathi’s personal and political journey to recover her father’s remains—and to reckon with Kenya’s unfinished struggle for land, justice, and historical memory.

What comes after liberation?

In this wide-ranging conversation, the freedom fighter and former Constitutional Court justice Albie Sachs reflects on law, liberation, and the unfinished work of building a just South Africa.

The cost of care

In Africa’s migration economy, women’s labor fuels households abroad while their own needs are sidelined at home. What does freedom look like when care itself becomes a form of exile?

The memory keepers

A new documentary follows two women’s mission to decolonize Nairobi’s libraries, revealing how good intentions collide with bureaucracy, donor politics, and the ghosts of colonialism.

Making films against amnesia

The director of the Oscar-nominated film ‘Soundtrack to a Coup d’Etat’ reflects on imperial violence, corporate warfare, and how cinema can disrupt the official record—and help us remember differently.