Christmas Day for Football Fans

Football is a Country's Elliot Ross has describes the World Cup Final, every four years, as Christmas Day for football fans, just better. The champion this time is Germany.

James Rodriguez, probably the best Colombian player of his generation, takes on Brazil's defense during a match at the 2014 World Cup in Brazil. Photo via WikiCommons.

So there you have it. After 120 minutes and a great goal by Mario Goetze (whose name will now be part of German lore like Gert Muller and Andreas Brehme), Germany are World champions. It’s been a magical month. But it is also basically the last time (till the next World Cup in four years) for journalists and pundits (yes, that’s a real profession now) to trot out cliches for a while about Messi’s “magic” versus the “German machine.”

Tomorrow we’ll return to our lives, especially Brazilians who have to pay the bill for FIFA’s untaxed profitsrebuild their football reputation from scratch (start by firing Scolari) and can’t hide their business behind empty slogans of mixing anymore. So now we have a summer of expensive, meaningless friendlies between top European club teams featuring their reserves playing in Asia and North America coming up, and the English media (and 101 great goals) convincing us all over again of the superiority of the Premier League. Which is a good time to remind ourselves that most people play the game away from advertising boards or without pundits and close-ups.

A Football Dreams tryout in Thiès, Senegal.

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.