[slideshow]

From new work by Cape Town-based photographer Araminta de Clarmont. A photo series on ikrwala (young Xhosa initiates) posing in new clothes–symbolizing their status as “new men”–after returning from initiation school. De Clarmont photographed the young men, who all still attend high school, in the classrooms where they get a formal education: “… As their suits demand instant respect – so too do the men wearing them. Yet what may be the validity of believing in a fresh start, when one’s surroundings have not changed as one has oneself?

Further Reading

How to unmake the world

In this wide-ranging conversation, para-disciplinary artist Nolan Oswald Dennis reflects on space, time, Blackness, and the limits of Western knowledge—offering a strategy for imagining grounded in African and anti-colonial traditions.

A migrant’s tale

On his latest EP, Kwame Brenya turns a failed migration into musical testimony—offering a biting critique of ECOWAS, broken borders, and the everyday collapse of pan-African ideals.

What Portugal forgets

In the film ‘Tales of Oblivion,’ Dulce Fernandes excavates the buried history of slavery in Portugal, challenging a national mythology built on sea voyages, silence, and selective memory.

Quando Portugal esquece

Em ‘Contos do Esquecimento,’ Dulce Fernandes desenterrou histórias esquecidas da escravidão em Portugal, desafiando uma mitologia nacional construída sobre viagens marítimas, silêncio e memória seletiva.