Young warriors of light

What is with the increasing use of sci-fi and horror elements in fairly recent music videos and films by African artists.

A still from "Woklow."

Malinese rapper Amkoullel gets some help from Pap G and Young Keitch in his “battle between good and evil.” The track itself is so-so, but it did remind us we should soon try and properly make sense of the increasing use of sci-fi and horror elements in (fairly) recent music videos and films – which would include Matthew Jankes’s Umkhungo, Niyi Akinmolayan’s Kajola and Jean-Pierre Bekolo’s Les Saignants, amongst others.

Further Reading

The people want to breathe

In Tunisia’s coastal city of Gabès, residents live in the shadow of the phosphate industry. As pollution deepens and repression returns, a new generation revives the struggle for life itself.

After Paul Biya

Cameroon’s president has ruled for over four decades by silence and survival. Now, with dynastic succession looming and no clear exit strategy, the country teeters between inertia and implosion.

Leapfrogging literacy?

In outsourcing the act of writing to machines trained on Western language and thought, we risk reinforcing the very hierarchies that decolonization sought to undo.

Repoliticizing a generation

Thirty-eight years after Thomas Sankara’s assassination, the struggle for justice and self-determination endures—from stalled archives and unfulfilled verdicts to new calls for pan-African renewal and a 21st-century anti-imperialist front.

The king of Kinshasa

Across five decades, Chéri Samba has chronicled the politics and poetry of everyday Congolese life, insisting that art belongs to the people who live it.

Drip is temporary

The apparel brand Drip was meant to prove that South Africa’s townships could inspire global style. Instead, it revealed how easily black success stories are consumed and undone by the contradictions of neoliberal aspiration.